Let me tell you a story: In 1910 there was a historian named Aby Warburg. He described himself as a “Hamburger at heart, Jew by blood, Florentine in spirit”; He collected an art legacy, assembling thousands of years of human history in photographs, and on postcards produced from throughout Europe. He combined these images on panel boards, looking to devise a way to see how images bleed past eras, and into each other as works of creation.
He worked to shape a system to observe the themes in art, and how they function psychologically. In essence, an object lives on in culture, it seems to have an afterlife. It continues to speak well after it has disappeared from immediate view.
On July 22nd MACK Books will present an exclusive and in-depth conversation between Stephen Shore and LACMA (Los Angeles County Museum of Art) curator Britt Salvesen discussing Shore’s photographic work in the new book “Transparencies: Small Camera Works: 1971-1979”.
Stephen Shore and Britt Salvesen in conversation will be on July 22nd, at 4:00 PM MDT/ 7:00 PM EDT! Just tune in to https://mackbooks.co.uk/live to view!
In my time, taxon has moved towards complexity. Class has turned into identity. It is harder and harder to generalize or predict on the basis of common ideas. Critics and writers are hard-pressed to focus on a rising tide, and curatorial influence has ebbed over what the crowd will see as beautiful, or meaningful. The effort to influence, when accomplished, makes one think the victory is pyrrhic, at best. Nevertheless, I wanted again this year to show the books that affected how I think about photography.