TCSTV Sony FS7 Review

 By Jordan Drake

The Sony PXW-FS7basically ticks every box I was was looking at, and the new form factor
is truly wonderful. I haven’t been the biggest fan of Canon’s Cinema
cameras, but I always loved the handling. The new handgrip and much
more usable EVF of the FS7 puts it in line with Canon’s C300, but with
much more modern specs. The slow motion capture, while not quite
reaching the 240FPS of the FS700, gives you great colour and flexibility
in post, while recording to capacity of the card.

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Chris Giles Pentax 645z Review: “The Journey”

 By Evelyn Drake

“Welcome to my personal review of the Pentax 645z. There are many postsand even though they will undoubtedly cross over in places with regards
their content, I’ve tried to focus on certain aspects with each page.”

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Canmore Art Guild Show

 By Evelyn Drake

Exposure 2015: The Portrait Saturday
Jan. 31st – Feb. 17th 2015
CAG Gallery: Elevation Place 102-700 Railway Ave Canmore AB.

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Looking at Images #4

 By George Barr

Upping colour or contrast has a long and honourable history. Everyone who shot Fuji Velvia was taking advantage of the film’s tendency to push colour to unreal levels. Agfa film was known for its warm tones, others did nice things to skin, and even Kodachrome wasn’t real, just nice, and long lasting.

With digital editing, it’s simply a slider away to take the colour and push it up till it pops, and many do so, with nearly all of their images. Heck, cameras even have a setting for it. A quick visit to popular photo sites will reveal colours that never saw the light of day, so to speak.

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Part 3: Canon Pixma Pro-1 Printing & Print Quality

 By Bill Peters

In evaluating print quality, these are the factors I take a hard look at:

• Colour Printing and Paper Profiles
• Tone Transitions
• Colour Shifts Under Different Lighting
• Surface Sheen on Luster and Glossy paper
• Black and White Qualities
• Paper Handling and Printing Speed

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