Living in Calgary, there is only one thing I can count on every year, and that is a number of bitterly cold, uncomfortable shooting days. While I can bundle up my feet, body and head, it’s more difficult with gloves. Cameras require a good amount of precision to operate properly, especially if you use a smaller model, like a mirrorless camera or point and shoot. I’ve gone through a huge variety of styles and brands of gloves, but I’ve never found any that worked well for actually keeping my hands warm and allowing me to operate all of my camera’s controls until I tried The Heat Company’s Heat 3 Smart Gloves.These gloves were originally designed for the Austrian Special Forces, but The Heat Company saw a hugely underserved market in photographers and videographers so they started recommending the gloves for our particular niche. It goes without saying that the gloves are very warm and well-made given their original audience, but there are many types of warm gloves out there. So what makes the Smart Gloves so special?
Everyone loves to talk about the quality of different camera manufacturer’s color and straight out of camera JPEGs. We decided to do a blind(ish) test, to see which images photographer’s really preferred in a variety of situations. Which camera’s SOOC images are really the ones to beat? Watch as Chris Niccolls investigates!
Special thanks to Resolve Photo (www.resolvephoto.ca) and everyone who participated in our tests!
I’ve had some exposure to some issues in translation around a Greek word, and a cognate, for theatre: Theaomai, which is the verb, and root, meaning to look upon, to see, or gaze (a word that deserves recuperation), and theatron, which is the noun, for the building set aside for the activity. It is interesting to me that writers have in the past thought of gazing at a spectacle in terms of dependence, conjuring up that the truth of viewing may be nothing less than the consumption and negation of those same images. I don’t believe this, and think it is far south from being true, and is to do with a desire to falsely pair art and politics.
The Ricoh Theta was the first 360-degree camera I ever dabbled with, and I distinctly remember both having a great time manipulating the still photos and being hugely disappointed with the poor video quality. Since that time, I’ve seen endless announcements of new 360 cameras, but haven’t gotten my hands on one until I received the new Nikon KeyMission 360. Not only does this camera boast hugely improved specs over the Ricoh Theta S, but it comes in a shorter, waterproof, ruggedized housing!
Teju Cole recently wrote what I thought was the best breakdown on the subject of surrealist photography, and managed against what seems like all odds to prepare a short introduction for The New York Times Magazine while maintaining empathy with the topic. Cole writes with clarity. I like feeling located, right side up, full, and I like fine, lapidary, complete, formal, or natural shapes. Naturalism is good, and I think his writing is chiefly an example of naturalism.
Photo By: Trevor Hernandez
I am overpowered by the photographs of Paz Errázuriz, and have not found it in the slightest way a simple thing to address this body of work. Her survey monograph from Aperture arrived earlier this year, and I have had a difficulty confronting the spare series “Heart Attack of the Soul” head on, as well as the section “Sleeping”.
I’m sitting at a table, a now empty steiner of German beer is in front of me, surrounded by local photographers, and fellow YouTube channel hosts, and upon the Rhine a barge full of locals partying to loud music floats by. This is Cologne. Jordan Drake and I find ourselves in this stunning city to take in all that is Photokina. The largest photo tradeshow in the world is in full swing, and the atmosphere couldn’t be more enjoyable.
Photographer & Author Talk at Word Fest
Friday October 7, 2016 at 7 PM
Glenbow Museum Theatre: 130 9 Ave SE
I am so proud that I was able to get behind this book long before I ever saw it. The Camera Store sells books, which is a bit of a marketing challenge, given our name, as you might imagine… When I order books, I read descriptions, and I become acquainted with presses, authors, editors, track records, details, but sometimes what finally comes to the shop is a little less, and sometimes, hopefully, a lot more than I expected. I’ve become familiar with the designer of The Blind Photographer, and Julian Rothenstein’s Redstone Press. I love the vibrant colour of his De-Stijl-y designs, and I have been in love with books, and page design all of my adult life, from David Carson’s wonky illegible type frenzy and Raygun magazine, to the eminent rationality of the statistician Edward Tufte’s work. I love books and magazines that play with form. This book is a little more restrained, but look at the multi-coloured braided headband, this small flourish, this detail calls out, it announces a personal love of the gift of sight, and so touchingly.
I took a week off, intending to do some summer reading, but instead I ran a bunch, played some basketball, and otherwise got out in the sun, and was way more active than I guess presupposed by some colleagues who rightly judge from my inerratic, middle-aged frame that I would otherwise sit around during my time off, eating… So the fixit is to get at it, and you know, make an effort… I expected to go on Instagram and make a project, doing Polaroids for the month of August, captioned with bits from William Faulkner’s “Light In August”. After a few days, I called it quits. I am too obsessive for a permanent engagement with the Internet. Writing here is enough. I like how our store is like an old-fashioned guildhall, I can chat with people about cameras and books, work things out slowly, and read in my spare time.