“I have been walking all day. I started out with a mere idea, to see what I could see. It began without structure, and as I progressed, it gathered some. Along the way today I ran into a street photographer that I admire named Alvin. His working methodology is most closely akin to Garry Winogrand. He photographs with film, with a Leica, a prime lens with a small aperture, looking quickly at the edge of the frame. I love his pictures more than Winogrand’s because Alvin’s pictures are more compassionate to me, with mixtures of the intimacy that Winogrand seemed so tragically to avoid, and the irony of the street. I stand with him as he works on a corner that he normally shoots, in awe of his tenacious path to the ten thousand hour requirement to earn the title of mastery. I skinned my knee badly after a fall last week, and I am happy today that it is warmer, and I can stretch it.
I recently read Yves Bonnefoy’s “Poetry and Photography” and struggled with it. I write that I read it, but the truth is that I finished far short, at the section where Bonnefoy references a work by Stephane Mallarme entitled “Igitur” that I did go on to
A great lighting system is now available which has all the features I have been waiting for, that offers new on-camera flashes, battery-powered studio lights in various sizes, all with identical built-in wireless receivers so that they can all be combined if necessary.
And the best part is that they are available for Canon, Nikon, Sony, Fuji and Olympus camera systems. For a fraction of the price of other units.
To effectively split my list into two halves from the start: There are a number of books that I have not reviewed this year, that I am not adding to this bedroll of notable books from 2017. There were some giant books published by Steidl, including the Gordon Parks Collection, and David Freund’s “
When was it? Seven years ago? I was working in a bookstore in a photography gallery and I had access to a tattered copy of the original version of this book from 1994. I looked through