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What fascinates me though is how the expanded definition of synaesthesia used in “Layers of Reality” is how representational realism, and dualism, has become the reigning position of our age; many today find the descriptions of materialism comforting.
I’ve been thinking lately that the discursive images used in architectural mock-ups have something to do with what all photographs are, as writing with light, photographs now seem to me as fractal parts of a greater design.
Garry Winogrand is the preeminent practitioner of what has become known as the genre of street photography, which he’d probably resent the heck out of my writing. In an interview in 1981, when questioned about the term street photography, Winogrand referred to it as “a stupidity”. Geoff Dyer is a writer, primarily a novelist, though he is a fine critic.
So, a weaving approach to write about a book I have wanted to read for years, Alan Trachtenberg’s “Reading American Photographs”. Time gets in the way, and I have had to put it off. But, I recently ordered a few copies for The Camera Store, and I am now quarter of the way through. I get slowed down when I read history, I get side-tracked with historiography, and get down into the reeds.