I was soaked at the end of each day. However, my camera gear had a much more pleasant experience, not only capturing amazing moments but I never had to worry about my camera body or long lens as my Hydrophobia rain cover kept my camera gear perfectly dry. My hands fit in great, they were dry and allowed me easily to easily snap away.
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Siri Hustvedt is an American novelist, but along with her work as a fiction writer, she has written essays on diverse subjects, like neuropsychoanalysis, and painting. The latter investigations presuppose a connection between selfhood, and perception. She is the author of the introduction to Teju Cole’s new book of photographs, “Blind Spot”. Cole is a photographer, but is also a writer, and contributes a regular column to the New York Times “Lens” section entitled “On Photography” which I have mentioned on this blog before, in connection to essays written by Luigi Ghirri.
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Check out Tyler Stalman’s first impressions of the Sony A9. 
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There is an academic discipline for everything. In literature, scholars have studied genre as it appertains to works of literary expression since the Enlightenment. Long before that, philosophy discerned the production of ideas on the basis of type.
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There’s a saying that probably began out west, people will talk about doing a thing as being not their “first rodeo”. Now, I know for a fact that Ward Rosin’s been shooting rodeo for a spell, including the Hand Hills rodeo, and also that this book literally was Mark Reierson’s first rodeo.
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These books contain photographs by the brilliant, award-winning mountain landscape photographer Paul Zizka, of off-beaten-path places in Banff, Canmore, Lake Louise, Jasper, Kananaskis, Waterton, and Yoho. Paul has photographed Norway, Svalbard, Nepal, Baffin Island, Greenland, throughout the Caribbean, Hawaii, Niue, French Polynesia, and our landscape. He lives in Banff, Alberta.
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Reading Walter Benjamin again many years after reading “The Work of Art in the Age of Mechanical Reproduction”, I am at the same time strangely accumulating readings that seem to correspond to that text, and I am sure writing this I cannot parse it. I was working through William Ivins’ “Prints and Visual Communication”, and some snippets of Günther Anders’ writings (who incidentally was Walter Benjamin’s cousin). I go through these periods when I read heavily, more or less trying to ask a question to myself, without really expecting to arrive at any answer. I was also reading a biography about the great Genevan theologian John Calvin, who is described as a “humanist” in that book, although I convey that with reticence given what that word can conjure up to different people (not to mention how Renaissance humanism differs from whatever that title might mean today).
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I received an advance copy of “Intimate Wilderness: Arctic Voices in a Land of Vast Horizons”, and this was last year. The store has since received copies. I was so impressed by the volume. Mr. Hallendy spent fifty years in the Cape Dorset region of Baffin Island, Nunavut, developing deep and rich relationships with the people, and learning their language, customs, history, and culture.
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It’s always exciting when we get an opportunity to get an early look at cameras for TCSTV, but especially so when the cameras in question are exciting additions to Fuji’s outstanding X-Series. I recently commented on a TCSTV Live episode that I hoped Fuji would start bringing some of the technology from their excellent X-T2 and X-Pro 2 into some of their more compact models, and that’s exactly what we see with the release of the X-T20 and X100F. While the cameras we received were still unfinished, I had a great time shooting with both of them, and fully expect Fuji to have a couple more winners on their hands.
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